Bottesini’s Tarantella in A minor lasts anywhere between about five and six minutes – Bogulsaw Furtok is one of the fastest at 5’01, but most. Giovanni Bottesini: Tarantella in A-, for double-bass and piano – Play streams in full or download MP3 from Classical Archives (), the. Buy Bottesini: Tarantella (Double Bass & Piano) by Giovanni Bottesini (ISBN: ) from Amazon’s Book Store. Everyday low prices and free delivery.

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It nearly met its end in the s as it sat backstage in a marionette theater in Milan.

Giovanni Bottesini – Wikipedia

Bottesini was widely acclaimed, and his virtuosic skill in the bass paralleled that of Paganini himself on the violin.

In and he conducted in Palermo, supervising the production of his opera Marion Tqrantella inand in in Barcelona.

February Learn how and when to remove this template message. This style was previously used solely by violinists, violists and cellists.

Here his first opera, Cristoforo Colombowas produced in During these years he diversified the toils of conducting by repeated concert tours through Europe. His father sought a place for him in the Milan Conservatorybut due to the Bottesini family’s lack of money, Bottesini needed a scholarship.

On leaving Milan, he spent some time in America and also occupied the position of principal double-bass in the Italian opera at Havana, where he later became director. Because of the trantella of Bottesini along with those of Bottrsini and Dragonetti to bass technique, many have come to view the double bass as a diverse and versatile instrument.


In he made his first appearance in England, playing double bass solos at one of the Musical Union concerts.

Wikimedia Commons has media related to Giovanni Bottesini. At the conservatory, he studied with Luigi Rossi, to whom he would later dedicate his Tre grandi duetti per contrabasso. In other projects Wikimedia Commons. He prepared a successful audition for the double bass scholarship in a matter of weeks.


Please help to improve this article by introducing more precise citations. This money financed the acquisition of an instrument of Carlo Giuseppe Testoreand a globe-trotting career as “the Paganini of the Double Bass” was launched. Born in Crema, Lombardyhe was taught the rudiments of music by his tsrantella, an accomplished clarinetist and composer, at a young age and had played timpani in Crema with the Teatro Sociale before the age of eleven.

Views Read Edit View history. Most notably there are many virtuoso bass players who draw inspiration from the early renaissance of the double bass.

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More by Giovanni Bottesini

He studied violin with Carlo Cogliati, and probably would have continued on this instrument except for bkttesini unique turn of events. Retrieved from ” https: List of compositions by Giovanni Bottesini.

The Testore bass was later converted back to a four-stringed instrument, and then to a three. Bottesini died in Parma on 7 July Only four years later, a surprisingly short time by the standards of the day, he left with a prize of francs for solo playing.


It was built by Carlo Antonio Testore in Bottesini wrote three operas besides those previously mentioned: After this he made frequent visits to England, and his extraordinary command of his unwieldy tarntella gained him great popularity in London and the provinces. His fantasies on Lucia di LammermoorI puritani and Beatrice di Tenda are virtuosic tours de force that are farantella popular with those who are highly accomplished on the instrument.

His tarantelpa works remain standard repertoire for accomplished double bassists to this day. Eventually, it was changed back to a four-string configuration and is now in the possession of a private collector in Japan.

He also wrote The Garden of Olivetbottwsini devotional oratorio libretto by Joseph Bennettwhich was produced at the Norwich festival ineleven string quartets, a quintet for string quartet and double bass, and many works for the double bass, including two concertos for solo double bass, the Gran Duo Concertante originally for two double basses, Passione Amorosa for two tarsntella basses, and numerous pieces for double bass and piano.

The instrument was owned by several unknown bass players. Shortly before his death, in he was appointed director of Parma Conservatory on Verdi’s recommendation. Bottesini purchased the Testore in for lire.