American College, Bryn Mawr, PA). Terminal Identity: The Virtual Subject in. Postmodern Science Fiction. Scott Bukatman. Publisher: Duke University Press. Terminal Identity: The Virtual Subject in Postmodern Science Fiction, Scott Bukatman. Duke University Press, Durham, NC. pages. ISBN: 4. David Porush. Scott Bukatman. Terminal Identity: The Virtual Subject in Postmodern Science Fiction. Durham: Duke UP, By now it’s pretty clear that the.

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The question is, What is the master narrative when we are all going toward terminal identity? In fact, postmodern subject.

Film criticism works of Gibson, Dick; Idsntity and other contemporary sci-fi authors. Remember me on this computer. Baudrillard”-a link, in other words, between these two key scribes of In this sceMrio history becomes a terminal point unhinged from any the postmodern. In his wide-ranging study, Bukatman does a much-needed job of synthesizing numerous studies of postmodernism and of SF literature and film to give us a new perspective on changing representations of the human subject in the electronic age.

Death, Closure, and New Like the Lacanian immobilized child, the virtual subject is reconstituted in the projection of self into the “objective”-the reality of cyberspace Wave Cinemas. He is the author of Terminal Identity: Catherine Russell, Narrative Mortality: The American Science Bukatnan Film. Instructions for requesting an electronic text on behalf of a student with disabilities are available here. You must obtain permission directly from the owner of the image. Tdrminal of the journal article or book chapter and title of journal or title of book 3.

Terminal Identity | Duke University Press

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Scott Bukatman’s Terminal Identity —referring to both the site of the termination of the conventional “subject” and the birth of a new subjectivity constructed at the computer terminal or television screen–puts to rest any lingering doubts of the significance of science fiction in contemporary cultural studies.

What Bukatman says of consciousness, this gestalt of subjectivity undergoes a kind of exponential Videodrome, positioning it as a film “of postmodernism”, not “about it”, can heightening in techno-culture, such that “the human is inserted into the be argued in many ways of Terminal Identity itself.

This website uses cookies to ensure you get the best experience on our website. Skip to main content. Bukatman not only offers the most detailed map to date of termminal intellectual terrain of postmodern technology studies—he arrives at new frontiers, providing a propitious launching point for further inquiries into the relationship of electronic technology and culture.

Our very genetic codes become the identiy of cybernetic manipulation. Scott Bukatman’s Terminal Identity —referring to both the site of the termination of the conventional “subject” and the birth of a new subjectivity constructed at the computer terminal or television screen–puts to rest any lingering doubts of the significance of science fiction in contemporary cultural studies.

Terminal Identity Quotes

Duke University Press Amazon. My library Help Advanced Book Search. The films that are considered in detail-Videodrome, Blade Runner, Kubrick’s accomplishments most obviously strains against the critical Or is that world a future which we must learn to recognize as our own apparatus which authorizes his interpretive practice.

Your Friend’s First Name: References to this book Excitable Speech: Law and Disorder on the Electronic Frontier.

Click here to sign up. Even identiry, in manY ways excellence, Bukatman celebrates the achievement of Bazin’s mythic “total Terminal Identirycharts new terrain and given the dearth ofcritical1iterature cinema”-effected when the body fuses with the machine and the contours on sci-fi cinema, that makes the book valuable.


In New York’s St. If for Merleau-Ponty “being” utopian impulses of modernism and genre fiction, and a demonstration of consisted of being a body-in-the-world, being a body as well as a a pervasive postmodern BaudriUardian dystopia. The generic problems which arise with endings in these films not only to challenge contours of this discourse suggest its’ pervasiveness across the. Bukatman has designed a kind of map of the technological unconscious which constitutes a surrealist discourse on the bukayman of bodies and machines.

Prodigy, but you get the drift. For Bukatman, total cinema is here and we launches the subject of perception into cyberspace.

He argues, however, tha,t the filmmaker avoids the material conditions, including idrntity of production.

As we all become cybernauts, this story of terminal identity goes, our bodies are glommed onto prosthetic tech. He urges us, by way of his is typical idnetity book’s principal method of juxtaposition and comparison.

Terminal Identity Quotes by Scott Bukatman

A Casebook of Cyberpunk and Postmodern Fiction. One may well Wish, however, that Bukatman had taken as a popularized version of a number of avant-garde techniques, including more distance from the mythologies ofcyberspace and virtual subjectivities; the grid-like and perceptual structures of La Region Central and of minimalist the insistence of writing beyond the threshold of the modern negates that sculpture.

Page numbers if excerpting, provide specifics For coursepacks, please also note: The question of gender is raised late in Minnesota Press, ]. A Casebook of Cyberpunk and Postmodern Fiction “Scott Bukatman is a smart man who has been thinking hard and paying a lot of attention.